8.05.2009

Rich Heyroth, 1977-2007.

Bumping this on the two-year anniversary of the day I lost a friend...

(Audio version here)

Before Monday, I did not know Death. We had never met. He visited my neighborhood a few times, draping elderly relatives with his dark blanket, but that's about it. Until this week. Losing a good friend has been a difficult new experience, nowhere near as tough as it is for those closer to him, but difficult nonetheless.

People have a tendency to lionize the deceased, emphasizing the good qualities while ignoring their shortcomings. Somehow every single athlete who dies was the epitome of a family man, and all victims of tragedies powerfully transformed those around them. I tend to look at these flowery obituaries with a raised eyebrow, wondering about the shadows behind the praise. My point in saying this is not necessarily that those hagiographies are contrived, because extreme situations spawn extreme emotions. I merely want to emphasize that I do not throw the following cathartic words out lightly.

Rich Heyroth had an easy-going manner that allowed him to tread the line between friend and authority, both in and out of school. He was three years older than me, but was also deeper in life, already married and working on a child. We were in a Bible study together for a couple years, one that he led without coming across as a leader, but as more of a facilitator. He would often share the struggles of his life and marriage, not in a lecturing or warning manner, but in a simple, matter-of-fact way that oozed honesty. This ability continued when he and Elizabeth had a son last spring. He delighted in fatherhood, eagerly relating stories and lessons that Ethan created. As marriage loomed as a possibilty for me, I relished his encouraging thoughts. He was excited that I was getting married, and I was excited to learn more from his adventures and to share experiences of my own.

His gift of compassionate teaching was evident in the classroom and on the soccer field as well. By watching or reading media coverage or perusing comments on this page, one senses that Rich was the same person regardless of his surroundings. As the de facto Shawnee Heights soccer beat writer this spring, I observed his interactions with the girls team. He was the quintessential likeable assistant coach juxtaposed with the hardline head coach. He could joke and laugh with the bench players and managers with one breath, then bark instructions to a midfielder with the next.

A few years ago in our Bible study, we churned through the Book of Ecclesiastes with the help of Tommy Nelson's excellent book, The Problem of Life with God. Our Sunday School class went through Nelson's video series, A Life Well Lived, shortly thereafter. Appropriately enough, this Sunday we were to finish another run through it. Rich loved Ecclesiastes. As recently as a week before he departed this planet, we glanced at each other after the video, with a smile and a nod that expressed what we both knew: This is great stuff.Little did I know that a few days later, Ecclesiastes would serve as a great comfort. There is a time to be born and a time to die. Apparent injustices will occur, but God is in control. All we can do is be wise, be poised, be bold, and live life to the fullest under what our study termed the umbrella of God. Simple but profoundly insightful instructions.

Rich Heyroth was not a perfect man. Nor did he pretend to be. One of the things that made him so beloved was his ability to recognize his faults and ridicule them. In our fantasy leagues, the race to make certain comments about Rich was not only between Carrs and Congdons, but also against Rich himself. With a good sense of humor in hand, Rich worked hard at his jobs and roofing his house, and played hard when he had spare time, cherishing soccer, softball, and Band of Brothers. My earliest memory of Rich stems from playing chess at a lakehouse one summer. That scene epitomizes him, enjoying the freedoms of summer while actively seeking a challenge. He lived life well, and now he is partying in heaven, Twinkies in hand.



If you're interested in making a donation in Rich's memory, you have plenty of options. Contact Topeka Bible Church for information on donating to a family fund or a memorial fund. You can also participate in this fundraiser.

8.03.2009

(500) Days of Summer.

(500) Days of Summer is not a typical indie romantic comedy. As the poster accurately states, this is not a love story, it's a story about love, which makes for a unique movie experience, through both content and manner of storytelling.

The movie traces 500 days of the relationship between Tom (Joseph Gordon-Levitt) and Summer (Zooey Deschanel), but does so in an nontraditional way, bouncing from point-to-point in their romance by use of a scene-opening counter, which displays the day and stage of the relationship. The non-linear method of storytelling is a tool that provides the movie with a layer of poignancy absent from most romantic comedies.

The movie effectively captures the various moments of life and love: the highs, the lows, and the in-betweens. By leaping back-and-forth through time, these snapshots are uniquely juxtaposed in a way that keeps your emotions on a yo-yo, yanking you back to a happy moment when things look bleak, and reminding you of what is and could be ahead when all seems perfect. This shunning of the usual smooth story arc is disorienting initially, as you try to mentally collect and sort the pieces you have seen. But you soon relax, realizing that the flow of events is self-explanatory enough that the precise order is not necessary.

Given the unusual nature of events, which provide the movie with a slight fairy tale feel, a few other filmmaking twists are also used effectively. The movie occasionally breaks from reality, sticking in a song-and-dance number to joyously show the excitement of new love, and a brilliant use of split-screen that simultaneously shows expectations and reality much better than any after-the-fact dialogue could have done. In a straightforward movie, these techniques would have been jarringly out of place, but since the primary method of storytelling is already off the wall, these even zanier choices feel no more unusual, adding to the freshness of the tale.

The movie is much more than cinematic gimmickry, due to the likability of the two lead actors. Gordon-Levitt continues to grow wonderfully as an actor, bringing to the role a youthful maturity often missing in similar films. Deschanel is excellent as always, with her wide-eyed quirkiness that perfectly fits Summer's perspective on love. The two have the precise amount of chemistry for the relationship, nailing the distance or lack thereof at every point along the way, and their infectious exuberance keeps the viewer interested throughout.

(500) Days of Summer is in no ways a typical movie, either in story or method. In this way, it accurately and beautifully mirrors the roller coasters of life and love. Life is not perfect. A love story doesn't always unfold in three acts. Everybody doesn't necessarily live happily ever after. That does not mean imperfect experiences are not worthwhile. The ability to reflect and learn from the past is part of what makes us human, and this film is a first-class exhibit of that aspect of humanity.

Bottom Line: A refreshingly creative change-of-pace that accurately reflects the tumultuous vagaries of life and love. 8/10.